Skills. Networks. Visibility
3 day production camp for female & gender minority producers and engineers working with topliners and songwriters
A networking event
A youtube content creation program
3 day production camp for female & gender minority producers and engineers working with topliners and songwriters
A networking event
A youtube content creation program
Pathwaves is a platform for supporting & developing female & gender minority engineers and producers
SKILL: We start by supporting the development of the skill necessary to become a professional engineer and producer, by bringing together up and coming engineers, producers, and artists who will be mentored by proven industry experts in a studio environment creating commercially viable music
NETWORK: Then we create a networking opportunity by bringing to the studio members of the industry that are vital connections for engineers and producers wanting to work commercially - management, a&r, labels and publishing are all represented and will offer insights into what we need to do to be considered for jobs and offered opportunity for collaborations.
VISIBILITY: Finally we will document the experience as well as create bespoke content that we will upload to our instagram and importantly our youtube channel. This will include tech tips, mentor interviews - with the goal to start to equal the balance of online music tech content which is overwhelmingly male.
Isabel Gracefield is an engineer largely based at RAK Studios, with recent work including ‘The Show’ from BRIT Award winner Tom Walker’s number one album What A Time To Be Alive, mix work for multi-million selling artist Emeli Sande, engineering for Dua Lipa and strings engineering for Paloma Faith, Sigma, and Stormzy. Isabel co-writes, produces and mixes, and remains passionate about helping artists to achieve the results they are looking for regardless of genre.
Dutch-born Steffi, is a key figure in the realms of contemporary electronic music. As a resident at Panorama Bar, a respected producer (Ost Gut/Fabrique) and label owner (Klakson and Dolly imprints), her work embraces underground electronic culture in its many forms. With the experience that comes with promoting underground parties for many years, and running two record labels. Her work as a DJ, distinctive productions and sought after releases on her own labels all reflect a profound passion for celebrating the culture of contemporary electronic music.
Jane Arnison in-demand multi-instrumentalist, songwriter, producer and recording/mix engineer, who relocated from Australia to Berlin several years ago. Jane uses her skill and experience to help artists and producers maximise the quality of their work, and has collaborated with Peaches, Berlin hero MIKEY, Canada’s Austra and many more. Her band Evvol's 2018 single ‘Release Me’ was slated on the highest-rotation playlist for Berlin’s Radio Eins.
Jane is a champion of women and gender minority in music, but specifically in the tech and more traditionally ‘male’ roles that often get left out of the spotlight. SongHubs x Path Waves marks Jane's first time running a producer camp, and she's looking forward to three days of geeking out in the studio.
Each day has a loose running order:
Start 10AM: Masterclass - Everyone gathers together to wake up and get ready for the day and the mentors will speak to a theme that sets up the focus for the day.
11AM: Get to work - The participants organise into their groups have a chat with their mentor and then dive into making music
2PM: Lunch - Informal Lunch in the kitchen of the studio. Break chat and refresh before the afternoon session
3PM: Work again making sure to get finished intime!
6PM: Day ends.
DAY 1: Recording
The focus is on recording first up.
Whether you are in the large studio the small production room or upstairs with the synths, the focus is on refining your ideas, and then capturing them
DAY 2: Production
After recording the ideas, day 2 is an opportunity to further refine what we have captured.
It might include overdubs, or edits.
There might be significant sound design
There also could be heavy vocal production processes.
Whatever you are interested in and the song needs the mentors will guide you through this.
DAY 3: Mixing & Finalising
The song production is complete so now lets make it sparkle!
Mixing is the finishing touches and the detailed attention to how the sounds interact together to ensure you are bringing out the most in the song and that it is capturing the listener in the way you want.
Closing: Industry & Networking
On the final day we finish early to meet key industry players. We have the opportunity to ask them questions about how to develop and who to reach out to when we are ready to make the next step in our careers.
After that we open up the studio for a little party/ networking event where you can relax and reflect on the whirlwind day and meet many of the other amazing engineers, producers, songwriters, performers that call Berlin home.
“In any given collection society around the world, the number of female songwriters sits at around approx. 20% of the total membership. When looking at female producers, this number is dramatically less and feel their needs to be a greater focus on supporting programs like Pathwaves.”
“Ableton is committed to supporting gender equality in the music industry and as part of this, we are pleased
to be one of the sponsors of the Pathwaves project as it aims to educate female music makers and raise their
competency levels in music production and engineering.”
“We appreciate an event like this which is focussed towards those further along in their career not just starting out. We acknowledge that multifaceted support and infrastructure is needed to facilitate true change to the landscape of technicians working in our industry. At ADAM we are focussed on gender equality in the music industry and are proud to be a sponsor of this event”
“I am excited to be a part of this, as I believe its important to support and develop upcoming talent. It’s my honour to be asked to do so.”